![]() ![]() That's one way to analyze this chord, and it's the one I'd choose because it gives the piece a dark, distressed phrygian sound for that brief moment in the piece. To my ears, it sounds like it's borrowed from A phrygian. It's used so commonly that it doesn't really create the same impression as the Gmin(add9). The G# is outside natural minor, but it's a cadential leading tone to Amin. Why is the second chord bold? It's a chord from outside the key. I know that's not the right classical terminology, but it's unimportant here. The F is really like a kind of suspension.or something. All of this occurs over that A played at the the beginning of the bar. What actually happens is that the pianist plays A in the bass on beat 1, then F and C on 2, and finally E and C on beat 3. The final bar is one of those bars that would probably be notated better in figured bass. | Dmin9 | G13 (on beat 3 in bass) G#dim| Amin(add9) | F/A Amin :| | Amin(add9) | Gmin(add9) | Amin(add9) | Dmin9 | Vertical slashes like | indicate bar lines. Roman numbers and figured bass would probably be more suitable for some of these chords, but whatever. Harmonically, hear are the chords of the A section. The pianist is playing in a very subdued manner while the viola sings/says whatever it has to say. ![]() ![]() Sounds like the performers are playing in an area with a large amount of space. I'm not an expert at mixing by any stretch of the imagination, but it sounds like there's some reverb. This is aeolian if you want to look at it from the modal perspective, and I do because there's an interesting thing that happens in the first two bars of what I'll call the A section. Someone else listening to this piece and the other pieces you mention may feel nothing but boredom or irritation. I'll give my impressions, but know that the emotional effect that pieces have on people is subjective and partly due to acculturation. The above-listed resources are a thousand times more reliable! Related subreddits Please know that Wikipedia is especially bad for music theory topics. Audiciones y ejemplos, wiki with schemata examples and theory (Español)Įar training apps and websites here! Check our FAQ!."Music Theory for Musicians and Normal People" by Toby Rush, convenient, one-page summaries written by /u/keepingthecommontone of just about every music theory topic you might come across in freshman or sophomore theory!.Dave Conservatoire, a Khan Academy style website.Recommended theory apps for Apple devices.Open Music Theory, an open-access online textbook.Helpful symbols, for copy-pasting into comments They are not conducive to the informative atmosphere we'd like to maintain here. No low-content material, including memes, image macros, and Facebook screenshots. It's important that we get such posts taken down ASAP, so in addition to reporting, please message the mods if you see someone breaking Rule #3.Ĥ. Please ask your IRL teacher/tutor for homework help instead. Our subscribers generally dislike this kind of behavior. It is against the Academic Honesty Policy of most schools and courses. ![]() No homework help on specific assignments. However, comments that productively guide OP to their own answer or offer substantive critique are encouraged.ģ. Avoid "do your own research" responses, such as bluntly telling OP to Google the answer or to figure it out for themselves. Dismissive or blatantly unhelpful top-level comments will be removed. Any critiques should be focused on ideas, never on individual users.Ģ. Disagreements and discussion are great, but hostility, insults, and so on aren't. Please use the "report" button for posts violating the rules!ġ. ![]()
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